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Master Classes

Movie synopsis
 
13 (Tzameti)
Screening Schedule
Multiplex - Screen 3
26/11/2006 @ 11:15:00 A.M
L' École de la chair

Language: French

Program: Master Classes

Director: Benoît Jacquot

Length:  1998, 35 MM, Colour, 110 mins

Screenplay:  Jacques Fieschi, Yukio Mishima

Cinematography:  Caroline Champetier

Editor:  Luc Barnier

Costume:  Corinne Jorry

Makeup:  Françoise Andrejka, Jean-Marc Guérin

Cast:  Isabelle Huppert, Vincent Martinez, Vincent Lindon, Marthe Keller, François Berléand

Director's Biography:  Benoît Jacquot (born Feb. 5th, 1947 in Paris) started out in the early seventies as assistant director on Marguerite Duras' Nathalie Granger (1972) and India Song (1975). Over the following thirty years, Benoît Jacquot has built up an impressive oeuvre of psychological dramas, novel and stage play adaptations and television documentaries. He made his fiction feature début with an adaptation from Dostoyevsky, L'Assassin Musicien (1976). From the mid-nineties on, Benoît Jacquot directed several films in which women face existential questions, with principal performances by, among others, Isabelle Huppert (L'École de la chair, 1998, La Fausse Suivante, 1999), Virginie Ledoyen (La Fille Seule, 1995), Isabelle Adjani (Adolphe, 2002) and Catherine Deneuve (Princesse Marie, 2003). In his most recent feature, L’Intouchable (The Untouchable, 2006), actress Isild le Besco returns in a leading role after starring in À tout de suite (2004) and with Daniel Auteuil in Benoît Jacquot’s Sade (2000).


Awards And Participation: Cannes Film Festival – Nominated for ‘Golden Palm’, César Awards – Nominated for ‘César’ for Best Actress, Namur International Festival of French-Speaking Film – Nominated ‘Golden Bayard’ Best Film, Acteurs à l'Écran - Nominated for ‘Prix Michel Simon’ Best Actor


Synopsis:  Fashion executive Dominique's obsession for Quentin, a young bisexual hustler, fills her desire for physical love but leaves her taxed emotionally. Twists and turns in the relationship, along with the man's violent and abusive nature, force Dominique to reconcile the conflicts created by her passion. In this quest, Dominique is aided [and sometimes hindered] by friends, clients, and Quentin's former and current acquaintances.

 
 
 
 
 
 
 
 
 
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